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Capturing the Army

Today, the Army trains specialist photographers to capture its story. But the demand for images depicting soldiers' experiences is nothing new. Here we look at some of the earliest pioneers of military photography.

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‘Amar Singh - fait a Orléans’, 16 October 1914

Paul Sarrut: Interpreting the Army on the Western Front

Paul Sarrut was a French soldier who was posted to the British Army as a military liaison officer and interpreter during the First World War. Trained as an artist, Sarrut created an important visual record of the 3rd (Lahore) Division in France.

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Capturing the Army

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Women’s work?

Discover how women’s contributions to the British Army have helped bring about change over the past 100 years. And see how Army recruiters have adapted their messaging accordingly.

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Abram Games and the power of the poster

Abram Games was 'Official War Poster Artist' during the Second World War. Always direct, and occasionally controversial, his posters have left a legacy that continues to influence the art of persuasion used by visual designers today.

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Abram Games poster, 'Your Britain. Fight for It Now', 1942

Abram Games, ABCA and the fight for post-war change

During the Second World War, Abram Games produced a series of posters for the Army Bureau of Current Affairs. These aimed to remind soldiers what they were fighting for, while also offering a glimpse of the post-war society they could aspire to.

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Lord Strathcona’s Horse on the march, 1918

Beauty in desolation: Munnings and the First World War

In 1918, the artist Alfred Munnings was tasked with recording the wartime contribution of the Canadian Cavalry Brigade and Forestry Corps. His paintings highlight the military role of horses, capturing their beauty in the war-affected landscapes of France.

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An unidentified officer of Fencible Cavalry, c1800

Paintings in little

Recent research on the Museum's collection of portrait miniatures has revealed new information about artists and untold stories about some of the subjects they portrayed.

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The earliest European view of Niagara

Thomas Davies' watercolour, ‘An East View of the Great Cataract of Niagara’ (1762), documents the struggle for control of North America and illuminates the history of British exploration and science.

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Painting in the line of fire

Painting on campaign presents war artists with a number of issues; not least that they are non-combatants in some of the most dangerous environments in the world.

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Drawn on the spot: War artists and the illustrated press

In Victorian Britain, it was the news of war rather than the antics of minor entertainment celebrities that boosted sales of newspapers.

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The Tanjore Durbar, Madras, February 1840

Indian armies, Indian art

Artworks created by Indian artists for the British soldiers serving on the subcontinent provide a fascinating insight into early Anglo-Indian relations.

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