One of our most popular paintings is a depiction of the Battle of Isandlwana by Charles Fripp. Here, we take a closer look at the artwork to discover more about this infamous British defeat.
In this video, we speak to figurative artist Keziah Burt about the making of a commemorative portrait bust of Queen Elizabeth II and reflect on Her Majesty's service in the Second World War.
British Army personnel have made a significant contribution to the UK's response to the Covid-19 pandemic. In 2020, the National Army Museum initiated a contemporary collecting project to record their efforts.
Paul Sarrut was a French soldier who was posted to the British Army as a military liaison officer and interpreter during the First World War. Trained as an artist, Sarrut created an important visual record of the 3rd (Lahore) Division in France.
Today, the Army trains specialist photographers to capture its story. But the demand for images depicting soldiers' experiences is nothing new. Here we look at some of the earliest pioneers of military photography.
Discover how women’s contributions to the British Army have helped bring about change over the past 100 years. And see how Army recruiters have adapted their messaging accordingly.
Abram Games was 'Official War Poster Artist' during the Second World War. Always direct, and occasionally controversial, his posters have left a legacy that continues to influence the art of persuasion used by visual designers today.
During the Second World War, Abram Games produced a series of posters for the Army Bureau of Current Affairs. These aimed to remind soldiers what they were fighting for, while also offering a glimpse of the post-war society to which they could aspire.
In 1918, the artist Alfred Munnings was tasked with recording the wartime contribution of the Canadian Cavalry Brigade and Forestry Corps. His paintings highlight the military role of horses, capturing their beauty in the war-affected landscapes of France.
Recent research on the Museum's collection of portrait miniatures has revealed new information about artists and untold stories about some of the subjects they portrayed.
Thomas Davies' watercolour, ‘An East View of the Great Cataract of Niagara’ (1762), documents the struggle for control of North America and illuminates the history of British exploration and science.
Operating as non-combatants in some of the most dangerous environments in the world, war artists face a variety of challenges. Here, we take a look at how they get by.
This major exhibition of rarely seen artworks illuminates shifting attitudes towards soldiers and the Army during Queen Victoria’s reign (1837 – 1901).
Enjoy a guided tour of our major exhibition, ‘Myth and Reality: Military Art in the Age of Queen Victoria’, with lead curator Susan Ward. Part of this year's Chelsea History Festival.
Enjoy a guided tour of our major exhibition, ‘Myth and Reality: Military Art in the Age of Queen Victoria’, with lead curator Susan Ward. Part of this year's Chelsea History Festival.
